Friday, 27 June 2014

New Fragrance: Fantasy Stage Edition EDP by Britney Spears...




Coming soon

Elizabeth Arden will release the best selling Perfume by Britney Spears Fantasy in limited edition 50ml bottles.  

 Please note that the actual perfume will remain unchanged.









Tuesday, 17 June 2014

New Fragrance: Heat Wild Orchid EDP by Beyonce...

Heat Wild Orchid is a new release that comes out in summer of 2014, announced as an enticing, mouth-watering fragrance that emits a fierce, feminine energy.



Perfumer Honorine Blanc emphasizes an accord of Butterfly Orchid that allegedly possesses aphrodisiac powers, signs the exotic floral - fruity-woody composition. 

The fragrance opens with fruity trio of pomegranate, coconut water and boysenberry. Bold floral bouquet of butterfly orchid, blooming magnolia and honeysuckle is the heart. Blonde woods, skin musk and amber contribute to the overall impression of a sensual perfume. 



 
Photographer of the advertising campaign is Michael Thompson
The fragrance is available as 50 and 100 ml Eau de Parfum.

Friday, 6 June 2014

Feeling Blue: Crazy Color semi-permanent hair dye in Capri Blue (44) and Bubblegum Blue (63) by Renbow...



I tried to be clever here by adding some lighter Bubblegum Blue sections in with the darker/brighter Capri Blue I used over most of my hair, mainly so I could test and review two shades at once, but also because I didn't trust using the pastel shade alone after my experience using my other pastel shade Candy Floss.

Using freshly shampooed and towel dried hair I first applied the Capri Blue Shade to my hair and massaged it in, leaving a few random sections of blonde hair uncovered. I then went back over my hair and carefully covered the loose blonde sections in the Bubblegum Blue Shade. I decided to leave the mixture in my hair for longer then I did the last two times that I used Crazy Color dyes to let it all soak in properly, so I waited two hours before rinsing the dye from my hair [only using water]...


See the results after the jump.

Wednesday, 7 May 2014

Too many fillers, and not enough thrillers: Prism by Katy Perry...

PRISM is the fourth studio album by Katy Perry, and was released by Capitol Records in October 2013. The record label claims that PRISM a prominently Swedish dance music-inspired record, with most of the tracks on the album revolving around the themes of living in the present, relationships, and self-empowerment.

Katy is the main song-writer and producer on PRISM and once again works with past collaborators Dr. Luke, Bonnie McKee, and Cirkut. The other main collaborators on the album included Max Martin, StarGate, Benny Blanco, Juicy J, Jonatha Brooke, Sia Furler, Bloodshy, and Klas Ã…hlund.


❀/

Track-wise; the four most personal songs on PRISM [Unconditionally, Ghost, Love Me, and By The Grace Of God] are by far the best. These songs are all raw and emotional lyrically, the music on them doesn't sound as disjointed as it does on the other tracks, and Katy is vocally strong on them. However - as Unconditionally [#25] showed - I don't think any of Katy's better songs are the best choices for singles, as they don't have catchy lyrics or a pop-friendly hook for radio which is what her sales figures rely on.

I'd class lead single Roar, This Is How We Do, International Smile, and the pre-album turned official single Dark Horse as above average. I don't find them as strong as my previous picks, but the lyrical content is catchy and Katy's vocals are good, so the songs have grown on me. I think that the three unreleased songs would probably be top picks for future singles, as they are what I think of as very radio-friendly.

The other tracks? Out of the rest of the album the only song that has proven to be memorable to me is fourth single Birthday, and that is only because I find it kinda cringy. None of the remaining songs stand out to me in either a great or bad way, so whilst PRISM isn't an album that I'd call bad I think it has way too many forgettable tracks on it to be classed as anything better then average; the 'filler' songs just make all of the tracks lump together and become empty noise.


Out of the three bonus tracks that appear on the deluxe edition, two of them [It Takes Two and Choose Your Battles] are growers; they didn't stand out for me for ages, but now I've come to appreciate the honest lyrics. 

The weak link here is Spiritual. There's nothing about it that stands out that would make me call it a bad or especially cringy song, but this also means that the song is unmemorable to me - five minutes after listening to it I still can't remember any single line from it.



I personally think that the way the soft-rock inspired instrumentals have been infused with dancehall synths just seems clumsy to my ears, so doesn't work for me on a lot of the tracks. Same deal with the vocal effects - I don't mind singers using them with dancier pop as I think it fits in with the music, but as Katy leans strongly towards soft rock I don't think it gels with most of the tracks.

It's a shame, as Katy does have the material here. If she'd had fewer tracks on the regular edition and had used the deluxe edition tracks on it instead of having two versions of the album, then the stronger songs would have saved the otherwise unmemorable ones, making Prism a 4 star album. Quantity doesn't make up for quality in this case.



Read on for a complete album breakdown...

Saturday, 19 April 2014

We ain't goin' to tha candy shop: Crazy Color in Candy Floss (65) by Renbow...



As soon as I looked in the mirror after applying Candy Floss, I knew that it would be a miss for me; I carefully applied the colour to my whole head but, as you can see, the pale pink only stuck to some of it in random spots, leaving me all patchy.